“As the viewer walks around the four cubes, their mirrored surfaces produce complex and shifting interactions between gallery and spectator” (yigruzeltil, 2012 via WikiArt). “Placed directly on the floor, the objects are non-monumental yet big enough to fully engage the space of the room: they confront, obstruct, or intervene” (MAMC+ St Etienne, 2020). _________________________________ Robert Morris, "Untitled (Mirrored Cubes)", 1965-1971.